Most encounters, like the one described above, are so appropriately intense because they play off your ability to make things happen with your own two hands. As a result, Alyx feels far more vulnerable and relatable as a character, equal in ability to the real human donning the VR headset. Being built from the ground-up for VR, it lacks the wide-open spaces and freedom of movement that justify the quicker pace and twitchier shooting of previous titles. Until now, every Half-Life game released has been built on fluid run' n' gun combat, nimble platforming, and intelligent physics puzzles tied together with cinematic storytelling in a rich and thoroughly detailed world. The crowbar-wielding protagonist of past Half-Life titles, Gordon Freeman, is nowhere to be seen, but the change of perspective makes incredibly good sense for what Half-Life: Alyx accomplishes as a VR title. Set between the events of Half-Life and Half-Life 2, Half-Life: Alyx puts you in the shoes of gun-toting engineer Alyx Vance. It's wholly built around them, and that's what makes it so impressive. But it'd be so much less without those motion controls and the complete immersion afforded by a VR setup. It's at this moment that something occurs to me: Half-Life: Aly x is an incredible game. It crashes through a row of bottles, turning the creature's attention away from me - just long enough for me to clumsily latch the door shut, locking them inside. Heart pounding, I swing around in a half-circle before underhandedly slinging the item through a nearby freezer door. Alyx grabs hold of a trinket, nearly unidentifiable but solid nonetheless. Shrieks of broken glass now betraying my position in the dark, I desperately waggle my left hand for anything to latch onto. Haphazardly, my real-world arm knocks a half-dozen more virtual bottles to the ground. A guttural roar echoes from the hallway behind me, followed by thrashing footsteps. Guided only by a small circle of light shining from my left wrist, I reach through the dimly lit malaise for anything to use as a distraction. I turn my head slightly, trying to get a glimpse of my surroundings. Knowing that any amount of noise coming from my direction could lead to a quick death, I diligently tip-toe past a collection of loose bottles strewn across the floor, only stopping just before running face-first into a shelf.

It begins with me evading pursuit by an unkillable monster named Jeff.

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